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readongentle
- December 23rd, 2004
Watchin' Dallas. Yeah, I'm watchin'. Not watching. Like everyone else, I'm watchin'. Nobody's watching, some cool people are watchin'.
So I'm watchin Dallas. I'm watchin Dallas and I'm watching Lucy get abducted by a lowlife. Lucy gets abducted by this lowlife, and the audience, in some oblique way, are the lowlifes. Because Dallas is careful to stratify itself, to refer to its audience and to their difference from the Ewing family, in a very benevolent way: they speak about 'us' and 'them' (the rich people) in a way that's archaic, historical - it makes me sad to think about how there is no more 'us' and 'them', and that wasn't so long ago, only the end of the seventies. In Dallas, it happens all the time that when the robbers find out someone is a commoner, they decide not to shoot them, or when they find out someone is rich, they call them their enemy, a traitor. And that can't happen now, because there's no sense of 'us' and 'them' ... it's been erased. In America, I think there's just the North and the South and there's no sense that the rich South is them and the poor South is us. There's the North and the South and people from the South say 'you see, you don't even know what's going on down here'. They don't mean the rest of the world, they mean the rest of the world including North America, so that North America's part of the rest of the world. For example, the makers of a movie about Southern brass bands, a big phenomenon - the 'next cheerleading' - say, 'people just aren't aware, they haven't even heard of this' and they mean the rest of America and the world, inclusively. Anyway, yeah, but there's no more 'us' and 'them', it's very sad. On Dallas, there's the robber us, and the social crusader us. The social crusader us is undercut a bit by the fact that the guy, Pamela Ewing's brother (a commoner) is supposedly only socially crusading from envy and malice, not from a true desire to redistribute the wealth of the Senators and oil barons. So okay, Dallas isn't perfect. You said it was, but I'm telling you it's not. It's not perfect, but still, it has this noir-ish sense of social stratification that's been blurred into cheerleading and brass band movies.